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The RED ONE body is designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options.

ULTRA HIGH DEFINITION
Mysterium boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. 12,065,000 pixels deliver resolution (12 mega-pixels) that can only be called Ultra High Definition.

Red delivers 12M pixels at up to 120fps and record wide dynamic range and color space 12 bit native RAW. With the Mysterium Super 35mm cine sized (24.413.7mm) sensor.

You get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses.





FULL RANGE OF MOTION PICTURE LENSES
Matched with a 35mm PL lens mount it allows you to take advantage of the world's best optics.

DELIVERY FORMATS
4K RGB
2K RGB
19201080 progressive, RGB or 4:2:2
1280720 progressive, RGB or 4:2:2
Project Frame Rates 1 - 23.98, 24, 25, 29.97, 30 fps 4K plus 50, 59.94, 60 & 120 fps 2K (windowed sensor)

Shoot lightweight EFP style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL mounting accessories that grow the camera body. Configure for tripod, crane or long lens applications.

High-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories.

I liked what they were doing making a digital camera of the utmost quality, and making it affordable for indie filmmakers. It also looks like film it has a very attractive quality to the image none of the "digital" look I've seen with some other HD cameras. I gave them an open invitation that if they ever wanted to field test the camera in a "real world" situation. I'd be happy to help. I was also keen to put the film through a full professional post-production pipeline, just to ensure we could use the data all the way through to release."If you shoot at 4K, but want a "film look", then you finish at 2Kand add some grain. It's easy. It looks like film. However, if you finish and screen at 4K. the result is like shooting in 65mm, like the old epics used to do. It's pretty exciting, and will have a major impact on indie filming"
Peter Jackson (Director of Lord of the Rings and King Kong)

"This is the camera I've been waiting for my whole career: jaw-dropping imagery recorded onboard a camera light enough to hold with one hand. I don't know how Jim and the RED team did it and they won't tell me but I know this: RED is going to change everything"
Steven Soderbergh (Director of Ocean's Elevens & Erin Brockovich)

"I have had the opportunity to test the RED ONE camera over the last few weeks including direct comparison to film on '24'. All I can say is that I am totally amazed. Revolutionary might not be a strong enough word to describe what RED is doing."
Rodney Charters (Cinematographer on 24)

"The RED Mysterium sensor has finally pushed digital acquisition past the timeless 35mm film barrier in resolution and clean color fidelity"
David Stump, ASC (FX director of photography on X-Men)

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